Menglu Huang「YEAR IN AND YEAR OUT」|永續時尚之旅

|Category:Accessory design
|Material:Silver, tweed cloth, found objects, stainless steel
|Technique:Sewing, lost wax casting
|Year:2022
|City, Country:Shanghai, China

Menglu Huang_SUSFUTURE2024 國際永續時尚設計展

/Artist 藝術家/

Menglu Huang is a jeweller and academic. She graduated from the School of Jewellery, Birmingham City University with a Bachelor's and Master's degree, and she is currently a lecturer in Product Design (Jewellery Design) at the College of Jewellery, Shanghai Jianqiao University. Often drawing inspiration from the forms, connotations and narratives of everyday objects, her works focus on exploring the relationship between practical functionality and visual imagination through the reinterpretation of the familiar and recognisable.

Menglu Huang是一位珠寶設計師和學者。她畢業於伯明翰城市大學珠寶學院,獲得了學士和碩士學位,目前在上海建橋學院珠寶設計學院擔任產品設計(珠寶設計)講師。她的作品經常從日常物品的形式、內涵和敘事中汲取靈感,通過對熟悉和可識別物件的重新詮釋,致力於探索實用功能與視覺想象之間的關係。

Perspectives on Tradition and Future, Sustainability and Fashion, and Life.
關於傳統與未來、永續與時尚生活的看見

Fashion is a way of being trendy based on a specific period, place and context; it is a way of self-expression and cultural construction. The fashionable and the sustainable, the traditional and the futuristic, can be juxtaposed through design strategies, materials and processes; they are not contradictory.

What is in conflict is sustainability and the current social form of consumption alienation. It is a long way off to achieve truly sustainable, which requires both awakening and physical practice.

時尚是一種基於特定時期、地點和背景的潮流方式;它是一種自我表達和文化建構的方式。時尚和可持續性、傳統和未來主義可以通過設計策略、材料和工藝進行並置;它們並不矛盾。

衝突的是可持續性和當前的社會消費異化形式。要實現真正的可持續性還有很長的路要走,這需要覺醒和實際行動。

Menglu Huang_SUSFUTURE2024 國際永續時尚設計展

The Concept and Description of the Work
關於參展作品的創作動機與設計理念

Year in and Year out was inspired by a story told by my grandfather about how he and his four brothers were characterised and sheltered by a tweed coat. This work therefore utilises the structural features and details of the coat as visual symbols, and uses buttons and clothing accessories that my grandfather collected that fell off and were not sewn in time. Whilst retaining their function, these found objects attempt to re-narrativise by creating new contexts and visual images.

《Year in and Year out》的靈感來自於我祖父講述的一個故事,故事中他和他的四個兄弟是如何被一件粗花呢外套所描繪和庇護。因此,這件作品利用了外套的結構特徵和細節作為視覺符號,並使用了我祖父收集的那些掉落且未及時縫補的紐扣和衣物配飾。這些找到的物件在保留其功能的同時,試圖通過創造新的背景和視覺形象來重新敘述這個故事。