Yu-Wen Hsiao「DISSOCIATE 」|永續時尚之旅

|Category:Clothing design
|Material:Textile fabric
|Technique:Hand cutting and leather shaping
|Year:2023
|City, Country:Taiwan

Yu-Wen Hsiao_SUSFUTURE2024 國際永續時尚設計展

/Artist 藝術家/

As a fashion design student,I advocate freedom, love nature, and pursue a sense of ritual in life. Clothing exists to showcase the natural beauty of the human body. I draw inspiration and nourishment from traveling and exploring the unknown. After collecting these experiences, I will use my method to draw the observations into fabric patterns, and then design and make clothes from it, and to convey them to everyone by using this method. I want to express the sophistication and freedom it aspires to through my design.

作為一名時尚設計學生,我主張自由,熱愛大自然,追求生活中的儀式感。服裝存在的目的是展示人體的自然美。我從旅行和探索未知中獲得靈感和滋養。在收集了這些經驗之後,我會用自己的方法將觀察到的事物轉化為布料圖案,然後設計並製作服裝,通過這種方法將它們傳達給每個人。我想通過我的設計表達它所追求的精緻和自由。

Perspectives on Tradition and Future, Sustainability and Fashion, and Life.
關於傳統與未來、永續與時尚生活的看見

Fashion can speak,and reflects our personal identity, cultural trends and social values. Sustainable fashion can become part of our daily lives. By combining fashion with sustainability and tradition, we will create more harmonious and meaningful designs and createful pieces that are an extension of our values and aspirations, starting with what we wear. Sustainable products reduce waste and promote mindful consumption. This shift is not only good for the planet but also leads to more meaningful and responsible fashion.

時尚有其獨特的語言,反映了我們的個人身份、文化趨勢和社會價值觀。可持續時尚可以融入我們的日常生活。通過將時尚與可持續性和傳統結合,我們將創造更加和諧和有意義的設計,打造充滿創意的作品,這些作品是我們價值觀和期望的延伸,始於我們的穿著。可持續產品減少浪費,促進審慎消費。這種轉變不僅對地球有益,還導致更有意義和負責任的時尚。

Yu-Wen Hsiao_SUSFUTURE2024 國際永續時尚設計展

The Concept and Description of the Work關於參展作品的創作動機與設計理念

Living in uncertainty, we are all learning to break our contradictory self- framework. 

Using visual fragments to simulate the process of dissociation, a process of repeated confirmation, deconstruction, and reconstruction of self- emotional memory and cognition. 

The choice of bright colors and the overlapping craft techniques are all intended to show the self-awareness of separation in order to protect oneself. Therefore, I simulate a self-space framework, and then use my own sensibility to construct it, reorganize and shape the fragmented memories in it. It may be absurd or contradictory, but it is all self. 

生活在不確定性中,我們都在學習打破自我矛盾的框架。

使用視覺碎片來模擬解離的過程,一個反覆確認、解構和重建自我情感記憶和認知的過程。

明亮色彩的選擇和重疊的工藝技術都旨在展示自我保護中的自我意識。因此,我模擬了一個自我空間框架,然後用自己的感性來建構它,重新組織和塑造其中的碎片記憶。這可能是荒謬的或矛盾的,但它都是自我。